A Poet’s Nanaimo

100 Years of Al Purdy

Beyond Forgetting is an anthology of poems celebrating the one hundredth birthday, on December 30th, of “Canada’s unofficial poet laureate” Al Purdy (1918 – 2000), edited by Howard White and Emma Skagen (Harbour Publishing, 2018). Emma Skagen is a former bookseller at Munro’s in Victoria, B.C. and now lives in Kentville, Nova Scotia. She has added her editorial expertise to many bestselling books and has worked on a number of poetry collections including Cornelia Hoogland’s, Trailer Park Elegy. Many of the poems in the anthology describe encounters with Al Purdy by some of our best known Canadian poets including Earle Birney, Milton Acorn, Brian Brett, Tom Wayman, George Bowering, Susan Musgrave, Lorna Crozier and Patrick Lane.

Some poems are dedicated to Purdy by younger writers such as Rachel Rose, Vancouver’s poet laureate, and Steven Heighton who wrote the foreword to the anthology. Heighton first met Purdy in the early eighties when Al Purdy and Earle Birney gave a reading in Heighton’s Canadian Literature class at Queen’s University. He last saw him “dying at home in Sidney, BC.”

Tom Wayman was an “emerging Canadian poet” in 1971 when he was published in Purdy’s anthology, Storm Warning. “Tom did more than offer sage advice;” he got the project [Beyond Forgetting] off to a flying start by preparing a work plan and roughing in much of the selections” the editors say in their introduction.

George Bowering’s contribution is “At the Cecil Hotel” described as a “translation of Al Purdy’s ‘At the Quinte Hotel’.” Rather than “I am drinking,” Bowering’s poem begins: “I am writing.” It makes reference to several poets: Milton Acorn, Pat Lane, [John] Newlove, Dorothy Livesay, and Alden Nowlan.

Bowering’s statement in the back of the book says: “He […]

Writing and Risk

I call my blog A Poet’s Nanaimo and while every blog isn’t about Nanaimo and is more about my observations generally, the events of a few weeks ago appear to fit.

Victoria-based poet Lorna Crozier who has read on every continent except Antarctica read at White Sails Brewing in Nanaimo on November 7th. The place was standing room only whether it was for the poetry or the beer or a combination of both.

I don’t remember ever seeing such a huge crowd for a poetry reading. People were there, mostly from Vancouver Island University (VIU), to support Lorna who is the Ralph Gustafson Distinguished Poetry Chair for 2019, and VIU student Aislinn Cottell who also read from her work.

A popular book at the book table that evening was one of the books Lorna read from: The Wild in You: Voices from the Forest and the Sea with text by Lorna and photographs by Ian McAllister (Greystone Books, 2015).

The next evening, as is the tradition, Lorna gave the Ralph Gustafson lecture. This is the 20th anniversary of the Ralph Gustafson series which began with Patricia Young as the first recipient in 1999 followed by Susan Musgrave, Gary Geddes and Patrick Lane, Lorna’s husband, in 2002, and many more since.

Lorna began her talk by reading “The Underworld” from What the Soul Doesn’t Want (Freehand Books, 2017). The poem ends with these lines:

What makes you inconsolable is the silence.
No wind in leaves. No grass speaking.
The shadows are more than shadows.
And there is a lot of waiting.
Only one doctor and all these cities of the dead.

In an article in the Nanaimo News Bulletin, Lorna said: “I think if you don’t show the flaws, if you don’t look into the shadows […]

Ordinary Strangers

Bill Stenson took many risks in his novel, Ordinary Strangers, and what is so miraculous about the book is the lack of judgment I felt towards the characters no matter what their behaviour. Well, there many have been a couple of instances when I was riled by a character’s tendencies but what good novelists can do is help lead their characters, and their readers, towards understanding and even forgiveness.

Ordinary Strangers by Bill Stenson is the winner of the 4th Great BC Novel Contest with Mother Tongue Publishing on Salt Spring Island. While the book may be described as being about a child abduction, Della and Sage Howard weren’t looking to take someone’s child on their way to Fernie, B.C. in 1971. The little girl, about two years old, was lost in the forest near a fair on a hot August day in Hope, B.C. Della and Sage stopped for a break, lost their dog, and found the crying toddler.

They named her Stacey Emerald Howard and the continuing story is not about a search for a lost child or hiding from authorities. Della thought about calling the authorities but not for long. She liked thinking of herself as Mommy. “Once the Howards invested in a winter coat, they no longer mentioned finding the authorities and returning the little girl to wherever she had come from – wherever the word they both used consistently instead of whoever.”

Sage worked for a mine and smoked dope. In fact, “others in Fernie liked to hang around the Howard house on weekends because they knew Sage was always well-supplied.”

Della began babysitting children in their home and as she kept a journal and records of everything that happened, “she documented every […]

On Doing Nothing

A poet friend posted a Calvin & Hobbs quote on Facebook: “There’s never enough time to do all the nothing you want.” That fit in with what I’ve been thinking about lately: Doing nothing is essential to the creative life.

In a book I’m reading, Clutter Intervention by Tisha Morris (Llewellyn Publications, 2018), the author says: “In art, empty space is called the negative space. In music, it’s the pause just prior to a crescendo. In homes, it’s the area where the space breathes. In meditation, it’s the pause between the inhale and exhale. In Japanese art (one of the few cultures that value empty space), the void is called ma and is highly regarded. In all art forms, the beauty lies in the empty space.”

I can definitely relate to what Tisha says about hanging on to unused art supplies and “inspiration files” of clippings that actually stagnate the creative process. “If it hasn’t given you inspiration yet, then it probably won’t,” Tisha says. “Inspiration happens in a flash, in peak moments of life, not in piles from yesteryear.” And inspiration happens when doing nothing.

Besides those pauses to which Tisha refers and the space I hope to create by letting things go, the space created by doing nothing is essential to one’s spiritual life. Zen Buddhist monk Thich Nhat Hanh answered a child’s question, “Is nothing something?” with this answer: “Yes. Nothing is something. You have an idea in your head of nothing. You have an idea in your head of something. Both are things that can create either suffering or happiness. Nothing really is something.”

I wrote a poem quite a long time ago that I called “Fishing for Mermaids, Mining for Light.” I was inspired […]

Homework for Life

Storyteller Matthew Dicks has his storytelling workshop participants take on an assignment he calls Homework for Life. It’s something Matthew engages in too. He likes to create a spreadsheet of “storyworthy” moments throughout the day. Matthew writes down the date and some words to remind him of the events or encounters such as “Started taking yoga” or “Taught Clara about the Rolling Stones while lying in bed with her.” (Clara is his daughter.)

Matthew begins the chapter about Homework for Life in his book, Storyworthy (New World Library, 2018), by describing dinnertime at his house when he asked his wife Elysha what the doctor had said about their three-year-old son Charlie throwing food. Elysha said: “The doctor said that when Charlie throws food, we have to take all the food away from him, and I know that’s going to be hard for you.” Matthew wondered why she thought it was going to be hard for him. She answered after taking a deep breath: “I know that when you were a little boy, you didn’t always have enough food to eat, so taking away food from Charlie is going to be hard for you.”

Elysha had spent almost ten years with Matthew so she had figured it out from his talking about his childhood. You can see from the description, how heart-opening it is. This is what Matthew calls a “storyworthy” moment.

He said: “We experience moments like this all the time. This one may sound special and unique and maybe even beautiful, but only because I’ve crafted this particular moment into a story. In truth, these moments are everywhere.”

Writing down such moments on the spreadsheet has given Matthew an endless supply of stories. Stories don’t need to […]

Improv Wisdom

I had been walking through Beacon Hill Park in Victoria with my friend Beth when we stopped near her apartment to speak to a neighbor, Ken, and his wife. I heard a sound like a cat and asked Ken if he thought the same. He said it could be a peacock in the park. Then his little dog came out from behind the fence onto the sidewalk and Ken said, “I’ve been teaching him to make that sound!”

That’s such great improvisation! Sometimes it can happen in the moment with someone on the street or a stranger in a line-up. You’re in the moment, saying “yes and,” continuing the improvised story, making it up on the spot.

The play I had just seen with Beth was called “Yes And Yesteryear,” an improvised play with a Jane Austen theme put on by Paper Street Theatre. The setting was outside Emily Carr House on Government Street. One member of the cast began with an improvised monologue and that was the only aspect of the play’s content planned in advance. The audience provided a couple of words that began with the letter L: letters and language.

The cast managed to have conflict between the “leading lady” and a potential love interest, mothers interfering with a friend’s wedding that was off and then on again, and a satisfying conclusion – all improvised within an hour! Very well done and in such a beautiful setting at Emily Carr House complete with lemonade and cucumber sandwiches.

I’ve been a fan of improv for many years. When I lived in Toronto almost twenty years ago, I attended improv classes and have gone to a few workshops in Nanaimo. It had been a while when I […]

In Praise of the Small

The Golden Chain Tree in full bloom looks like a giant Christmas tree lit up with candles. It reminds me of a celebration, a ceremony, and like special celebrations, it’s very special for a time and then it’s gone. The Golden Chain Tree flowers in late spring/early summer: a reminder to enjoy the moment. In the midst of grandeur, it’s also a reminder to enjoy the small moments. That’s the message from the Golden Chain Tree one day after the New Moon in May 2018.

I’ve made flower essences from our garden before and I had wanted to make a Golden Chain Tree flower essence for a few years. A flower has a blueprint or energetic template. By placing flower petals (sometimes with their leaves) in water, we can benefit from the healing properties of that particular flower as the lifeforce or energetic template of it is transferred to the water. (This water when combined with brandy becomes the mother tincture from which solution bottles are made. Solution bottles are a combination of the mother tincture, brandy and spring water.)

For a few years, the timing wasn’t right for making the Golden Chain Tree flower essence for various reasons, either for the Golden Chain Tree or in terms of my energy. One needs to get permission from the deva of a particular flower or plant and be up early to harvest the flowers for a flower essence. And a sunny day is required in order for the petals to sit in water in the garden, infusing the water with its energy, for several hours. The Golden Chain tree just lasts for two weeks so the opportunity for harvesting can pass quickly.

Another issue is busyness – I’d […]

At Seventy

“What is it like to be seventy?” May Sarton asks on her seventieth birthday, May 3, 1982. Her book, At Seventy: A Journal, was published in 1984 and it was the first book I wanted to buy with a gift card from my son and his wife when I celebrated my seventieth birthday last July.

Just back from giving a month of poetry readings, May recalls telling an audience, “This is the best time of my life. I love being old.” When questioned by an audience member, she answers spontaneously: “Because I am more myself than I have ever been.”

I would say the same about myself, that is, being more myself than I’ve ever been. Being seventy is an opportunity to assess what no longer fits and embrace more of what nourishes. I can also relate when May says: “One thing is certain, and I have always known it – the joys of my life have nothing to do with age. They do not change. Flowers, the morning and evening light, music, poetry, silence, the goldfinches darting about . . . “

In November of the year she turned seventy, May reflects on a trip to Victoria, B.C. where a film about her was shown. She mentions the women who arranged book signings and a reading and the poets she was reading. One of them was P. K. Page who had left her new book for May: Evening Dance of the Grey Flies. (The photo to the left is of P. K. Page.)

In Vancouver, May did a book signing at Ariel where she “had the joy of seeing Audrey Thomas again.” She wrote: “Some years ago we had done a reading together in Toronto.” That reading […]

Full Bloom

My birthday is coming up next month and when I realized that, I thought, didn’t I just have a birthday? It was my 70th birthday on July 3rd last year and I’ve been contemplating this new age and new era ever since.

One week in the Writing Life women’s writing circle, we had a look at the Celtic Medicine Wheel to inspire our writing. Each direction is related to a season, a moon phase, a life stage. In an email exchange recently with MJ Burrows, one of the circle members, she recalled looking at the description for the South and said (sharing from her circle notes): “Two things clicked: the notion of manifesting, full bloom and the trickster. With my birthday coming, I connected the South as a metaphor for this age and stage. We are full of wisdom and ready to manifest what we once lacked confidence to do; and yet the trickster nature betrays us in our body, and sinew and muscle.”

Most of us could relate to the poem MJ wrote, approaching her 65th birthday. Although I’m five years older, I can definitely relate to being “at peace more than ever / and restless more than I have ever been.” Have a look at MJ Burrows’ poem:

At 65 what I know

I am at peace more than ever
and restless more than I have ever been
I know more
and understand less
I long to run
and groan as I leave the chair
I crave colour
and wear shades of black
I have unlimited time
and 4 o’clock comes too quickly
I desire to paint
and have found I don’t know how
I am blooming
and dropping petals
I wake up energetic
and fizzle like a spent match by mid day
I like to travel
and anxious when I leave home

I […]

Ten Poems for Difficult Times

I had spent some time with Jack Gilbert’s poem “A Brief for the Defense” and then encountered it again as one of the ten poems Roger Housden includes in his new book Ten Poems for Difficult Times (New World Library, 2018).

I’m always grateful to read Roger Housden’s books in the Ten Poems series for the poems he chooses on a theme and the essays he writes about them. The poems he has chosen for “difficult times” also include “It’s This Way” by Nazim Hikmet, “Good Bones” by Maggie Smith and “The Thing Is” by Ellen Bass . The poems aren’t to give us information Roger says, “but a visceral experience of an existential and timeless truth.”

The lines that puzzle and provoke me in the Gilbert poem are:

There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. . . . .

I wrote a poem I call “On Reading ‘A Brief for the Defense’ by Jack Gilbert:

We stand on the bridge, look out to freighters
in the harbour, the ferry headed for Departure Bay,
coastal mountains coated in snow. A small tugboat
pulls a fishing boat. Three cormorants and an oyster catcher
perch, attentive, on the rocks. Sarah at my side, a raven lets itself
fall from the sky for just a second, risking delight.

Sarah and I were also “risking delight” during times of great sorrow around us. As Roger Housden points out in his essay accompanying the Gilbert poem, all the suffering and sorrow is not our fault, “but it is our responsibility, because we, too, are human. Gilbert’s response to the question of […]