MA-moore

About Mary Ann Moore

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So far Mary Ann Moore has created 201 entries.

The Circle is Open 2022

I see I did another blog with the same theme and so I’ve added the year to this one. “The circle is open” is something I say at the end of a women’s writing circle:

The circle is open but unbroken
May the love of the goddess
be ever in our hearts
Merry meet and merry part
and merry meet again.

In fact we sing the words when there are women who have been in the circle for a long time and know the words and tune.

I needed to continue offering writing circles throughout the summer for the grounding it offers to me and to others. I mean that literally as well because we walk the land as part of the writing circle which we did for the summer circle with the theme of “All Our Relations.”

I so appreciate Nature’s support for the unfolding journey of each of us and walking the property where I now live has really helped to add to my personal field guide. “Even the stones are storytellers” someone wise once said and we can tell our stories to the stones as well.

I have some women’s writing circles coming up, in person and on Zoom, and hope women, wherever they may be, will consider joining the circle.

An invitation to the Writing Life women’s writing circle
Wednesday, August 24 from 10:30 a.m. to 1 p.m. in person, in Nanaimo
Fee: $25

If you’d like to experience a Writing Life women’s writing circle and would like like some respite for a few hours, I’m offering one with the theme of “Writing for the Love of It” at my home in Nanaimo.  We’ll take a walk around the property as “A Walk of Your Own” is one of our topics. Have a […]

intertidal

Zoe Dickinson, a poet and bookseller from Victoria, B.C., is the 2022 winner of the Raven Chapbooks Contest with intertidal: poems from the littoral zone. It sounds rather erotic doesn’t it, and definitely literary. (Zoe is also Artistic Director of Planet Earth Poetry in Victoria.)

As Zoe, whose poetry is rooted in the Pacific coastline, explains: “The littoral zone in a coastal ecosystem ranges from the high-tide mark to the subtidal area, and is defined by the presence of sunlight at the sediment level. This zone of alternating intervals of submergence and exposure is home to abundant life due to plentiful oxygen and nutrients.”

Zoe observes the abundant life of intertidal creatures “on the rocky shores of the Juan de Fuca strait where she delights in the “incredible diversity of life [thriving] in every possible nook and cranny. It is this dynamic world-between-the-tides that spawned these poems.”

Most chapbooks are about twenty pages in length and this one is forty-five beautiful pages. The stunning cover photograph of baby Bull Kelp “growing towards the sun” is by Jackie Hildering, also known as The Marine Detective, an underwater photographer and biology teacher living on northeast Vancouver Island.

Pat Walker designed the book which is a gorgeous tribute to the poems and their subjects. The paper has a smooth finish which makes the book wonderfully tactile. The papers used are described and the main pages are Pacesetter 100# Silk text. (I know at least one person who is interested in paper!)

Illustrations throughout are in black and white as well in colour which add a whole other level of discovery. They’re by Ernst Haeckel (1834 – 1919) who was a German zoologist, naturalist, physician, marine biologist and artist. “He discovered, described, and […]

This Has Always Been a War

Lori Fox, based in Whitehorse, Yukon, describes their new book of essays, This Has Always Been a War (Arsenal Pulp Press, 2021), as a “scrappy, angry little book” with its sub-title of “The Radicalization of a Working-Class Queer.”

In an interview with Yukon News for which she has been a writer, Lori said: “The book is incredibly vulnerable. I’m incredibly blunt, and really upfront with some very difficult things. And I pull no punches.”

Indeed, there is much to be angry about as Lori describes in their wonderfully written, often visceral, essays. The essays describe their confrontations “with the capitalist patriarchy through their experiences as a queer, non-binary, working-class farmhand, labourer, bartender, bushworker, and road dog . . .” As the book’s cover description says: “Capitalism has infiltrated every aspect of our personal, social, economic, and sexual lives.”

It is their work as a journalist that led me to Lori’s book as I’ve very much appreciated their opinion pieces in The Globe and Mail.

The dog on the cover, designed by Jazmin Welch, probably represents Herman who has been by Lori’s side through many hardships and adventures, at lean times sharing a meal of ramen noodles.

This Has Always Been a War is, Lori says, “for my people, the working classes, who cook the meals and pick the fruit, who serve the tables and stock the shelves, who work the gigs and deliver the orders. We are the makers and builders and doers of this world, and all that is in it belongs to us.”

If you don’t already consider the wait staff in the restaurant you visit, or the people who have picked the fruit that you buy at your local grocery store or any number of people who […]

Writing in Community

Writing in community is something I’ve done for a long time – at workshops, retreats and in writing circles I’ve offered since 1997. Even during the pandemic, I facilitated weekly women’s writing circles via email and Zoom. It was a way for us to feel connected, part of a community, and grounded in the midst of it all.

My contributing chapter to a new book that came out last week, The Great Book of Journaling, is “Journaling in Community.” Lynda Monk who is the director of the International Association for Journal Writing (IAJW) and Eric Maisel, author of fifty plus books, are co-editors of the collection. They’re both on the IAJW Journal council as am I.

I’m very pleased to be among the contributors who have inspired my own writing and creativity for many years including SARK, Judy Reeves, Sheila Bender,  Kathleen Adams and many others. And I feel especially blessed to have my work supported in the world by Lynda and Eric in the book as well as by Lynda through the IAJW.

As I say in “Journaling in Community,” a ceremony is key for the depth of experience whether on your own or in a circle. “Part of that ceremony is the creation of a container to acknowledge the people in the circle as well as the stories they are writing and giving breath to. It’s a way to create a sense of safety for the stories shared, lessen the anxiety, and honour the people and their stories.”

Here is a link to Mango, the publisher of The Great Book of Journaling. The book is distributed in Canada by Raincoast and you can ask for a copy at your favourite independent bookstore where it’s always fun […]

If You Are Reading This

If You are Reading This is Sheila Norgate’s a/mem.oir/ish, a book of personal essays published under her own imprint: LIP (Ladies Institute Press).

As Sheila told me in a phone conversation, she’s a “one girl band” having written the book, designed it (including the amazing cover) and published it. I’ve always thought writing to be one of the healing arts and taking one’s story and putting it into the world is all part of that healing. Sheila agrees, that it’s especially important for women to put our words into the world.

Readers will have their own endings to “If You Are Reading This” which could be similar to my responses: “be forewarned;” “be prepared to laugh;” “expect to be shocked and amazed,” and “you’ll have your socks knocked off.”

Sheila’s memoir includes all that a feminist memoir ought to. She lets us know what happened in her life, how she felt about it and she has observed and researched the bigger picture that has affected her and in fact, all women.

If You Are Reading This reads on the page as Sheila sounds in her performances, sharing her stories from life with humour and gravitas. She has given one-woman performances for many years, doing the writing, producing and presenting to enthusiastic audiences. I’m grateful I was able to attend several of them on Gabriola Island, B.C. where she lives with her partner Debbie, as well as in Victoria and Nanaimo.

Sheila told me she wouldn’t be performing if she hadn’t moved to Gabriola in 1999. Besides Gabriolans being a fabulous audience, publicizing an event and renting a hall is much more inexpensive than it would be in Toronto or Vancouver.

Sheila has also done much research into issues concerning women […]

Death at the Savoy

I’m a fan of mysteries particularly detective fiction by the likes of Elizabeth George, Peter Robinson, Val McDermid, Michael Connelly, Jonathan Kellerman, David Baldacci, Louise Penny, Kate Atkinson and so many more going back to P. D. James and Agatha Christie.

Death at the Savoy is rather like an Agatha Christie novel as its “plucky” protagonist , Priscilla (never Prissy) Tempest is the accidental sleuth, as well, in this case, a suspect , finding herself, quite often, in the wrong place at the wrong time.

I enjoyed Death at the Savoy not so much for a chasing of clues to find a killer but because I appreciated its lightness while wondering who among the rich, famous and aristocratic would turn up next at the Savoy. I’m thinking Ron Base and Prudence Emery would have had great fun cooking up this mystery.

Death at the Savoy: A Priscilla Tempest Mystery (Douglas & McIntyre, 2022) by Ron Base and Prudence Emery is the first in a mystery series. Ron Base is a former newspaper and magazine journalist who has written twenty novels. He divides his time between Milton, Ontario and Fort Myers, Florida. Prudence Emery is the author of Nanaimo Girl (Cormorant Books, 2020) who worked as the press and public relations officer at the Savoy Hotel in London, England from 1968 to 1973. Pru was born in Nanaimo and now lives in Victoria, B.C.

The years spent working at the Savoy Hotel are described by Prudence as “the champagne-filled years” which is also the case for the young heroine of Death at the Savoy: Priscilla Tempest. Priscilla, a Canadian, works at the Savoy Press Office, Room 205, or simply, 205. Her assistant is Susie Gore-Langton whose aristocratic family’s luck […]

Memoir as Medicine

Nancy Slonim Aronie is the founder of the Chilmark Writing Workshop on Martha’s Vineyard, Massachusetts where she lives.  She’s been facilitating Writing from the Heart workshops for forty-five years at various venues such as Kripalu, Omega and Esalen. In her new book, Memoir as Medicine: The Healing Power of Writing Your Messy, Imperfect, Unruly (but Gorgeously Yours) Life Story, she shares her good advice about writing, essays she has written for various publications, and excerpts from a previously unpublished memoir about her son Dan.

In an interview with her publisher, New World Library, Nancy said: “Getting your rage on the page and getting to the truth of what shaped you instead of having those stories marinating in your body, that’s the medicine.” As for the benefits of telling your story, Nancy said: “Telling your story and getting it out of your body is the beginning of healing. You will get a new perspective, maybe new insights, a new way of seeing the whole picture instead of just that tiny thing that happened or even a big thing that happened.”

When asked about a spiritual component to memoir, Nancy said: “Spiritually, if you are willing to take the lessons from the information you’re accessing, because all you want to do is grow and be a more loving being on the planet, then of course there is a spiritual element.”

I appreciate what  Nancy says about writing groups for writers: “Everyone needs a support system.”  She recommends, as I do, that people don’t “criticize and destroy your voice.” Nancy said: “They can give you good advice, but to me, the most important part of that equation is that they find beauty in your work first.”

Where to start? Nancy said […]

Artists in Residence

Artists in Residence (Chronicle Books, 2021) is a book that features the homes of seventeen artists “and their living spaces, from Giverny to Casa Azul.” I really appreciate Melissa Wyse’s writing with her enthusiasm for and fresh approach to her subjects. And the illustrations by Kate Lewis are delightful and enticing.

Melissa Wyse is an art writer, fiction writer, and essayist who lives in Brooklyn, New York. Kate Lewis is an artist whose paintings are in private collections around the world. She lives in Chicago. The two met in the summer of 2017 at the Ragdale Foundation and their continued connection, some serendipity, and a “strange alchemy” led to this engaging book. Melissa and Kate encourage  readers to follow their own curiosities.

As their introduction says, “Some of the artists in this book used their homes as places where they explored materials, staged still lifes, or inhabited the aesthetic vocabularies that would inform their artistic production. Others experienced their homes as sites of divergence, places where they stepped away from the hallmarks of their artistic work to embrace radically different colors, patterns, or aesthetic experiences.”

I do love that term “aesthetic vocabularies”!

Georgia O’Keeffe is the first artist in the book. Her home, in the village of Abiquiu, New Mexico, is open to the public. I’ve seen the outside of O’Keeffe’s adobe house but hadn’t booked a tour which has to be done many months in advance. The illustration shown is of “a weathered wooden door” that leads into O’Keeffe’s living room. ”

Louise Bourgeois was born in Paris in 1911 and moved to New York City in 1938. “She worked as an artist for over seven decades, right until her death in 2010 at the age of ninety-eight.”

Bourgeois’ […]

The Quiet in Me

Patrick Lane often greeted poets in the reception area of Honeymoon Bay Lodge  on Lake Cowichan, Vancouver Island, when he led poetry retreats there. He’d also help carry our luggage to our rooms. I was remembering that about Patrick, who died in March 2019, when I went to a retreat with Lorna Crozier earlier in April 2022.

Patrick Lane was born in Nelson, B.C. in 1939 and grew up in the Kootenay and Okanagan regions of the BC interior, primarily in Vernon.  He won nearly every literary prize in Canada, received several honorary degrees, and in 2014 became an Officer of the Order of Canada.

When Lorna did a reading on one of the evenings at the retreat in April, she had a few of us read poems from Patrick’s posthumous collection, The Quiet in Me, which she compiled following his death.

Lorna said  when putting the poems together for the book, she chose the first and last poems and then figured out, by putting them on the living room floor, which poems belonged beside one another in the collection. It was an intuitive process as she chose poems “that want to slide between the sheets together.”

The first poem in the book is “Living in a Phantom Hut” which begins: “A wolf-hair brush in a yellow jar, a pool at dawn, / Basho on the road to the deep north.”

The speaker in the poem reflects on the Japanese haiku master  Basho  and notes the Barriere River, one of the main tributaries of the Fraser River in British Columbia. The classic poets and northern B.C. were significant to Patrick’s life and his poetry.  And Basho is the name of one of his cats still living as far as […]

The Happy Writing Book

“I feel unmoored when I’m not writing. Incomplete. Not quite myself.” Those are the words of Elise Valmorbida, author of The Happy Writing Book: Discovering the Positive Power of Creative Writing (Laurence King, 2021).

I definitely relate to what Valmorbida says above, included in her book that is the result of “decades of deliberation and discovery about the art, craft and positive experience of creative writing.”

Valmorbida, who grew up Italian in Australia and lives in London, has been a designer and creative director as well as the author of several books. She continues to teach Creative Writing through various organizations, at literary festivals and community-building organizations.

The Happy Writing Book (not designed by Valmorbida) has a very cheerful design with its orange cover and the large orange numbers that introduce each chapter.

In “Write What You Know?” Valmorbida says “your own experience will inform your work” but points out that authors do research. In the case of Annie Proulx, she “writes what she knows, but she didn’t know it before she started delving.” That delving sounds fun as Proulx “takes herself to new places, haunts little stores and buys heaps of second-hand books about farming, local history, auction records, hunting tackle, whatever. She transcribes wording from street signs and menus and advertising. She hangs about and absorbs conversations, noting the speech patterns, the vernacular, topics of concern.”

“Write to discover what you want to know, Valmorbida says. I like that approach and find it much more fascinating to learn as you go rather than to describe something you already know. Of course, you can write what you remember and approach it in an inventive way. There are many fine examples of doing that including a couple of memoirs […]